电影永不妥协的所有演员

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作品相关简介：

埃琳•布罗克维奇（朱莉娅•罗伯茨 Julia Roberts 饰）是倒霉鬼中的典型。她结过两次婚，但每次婚姻都没有给她带来幸福，反而令她成了一个拖着三个孩子的单身母亲。倒霉的她在遭到一场交通事故后，连志在必得的赔偿官司到最后都输掉了。
为她辩护的律师埃德（阿尔伯特•芬尼 Albert Finney 饰）半是同情埃琳半是因为帮她打输了官司心感内疚，收留了埃琳在他的律师楼里打杂。埃琳的生活算是有了一点保障。在调查一单污水申诉案时，埃琳偶然发现了污水中含剧毒物质，而供水公司确对此敷衍了事。弱女子埃琳决定用她柔弱的肩膀担负起为受污染的数百名居民讨回公道的重担！

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《永不妥协》是2000年上映的一部美国电影，由史蒂文·索德伯格执导，朱莉娅·罗伯茨、阿尔伯特·芬尼、艾伦·艾克哈特等主演。该电影改编自真实事件，描述了一个没有法律背景的单身母亲，历尽艰辛，以永不妥协的勇气和毅力打赢了美国有史以来最大的一宗民事赔偿案。

⑶ 9几年的美国电影，著名女影星主演，讲一位女性与排污污染环境的公司斗争，并成功维权，求名字，衷心谢谢！

《永不妥协》
茱莉亚罗伯茨的成名作，根据真实事件改编
埃琳·布罗克维奇（朱莉娅·罗伯茨饰）是一位经历了两次离婚并拖着三个孩子的单身母亲，在一次十分无奈的交通事故之后，这个一贫如洗，既无工作，也无前途的可怜妇女几乎到了走投无路的绝境。万般无奈之下，埃琳只得恳求自己的律师埃德.马斯瑞（阿伯特·芬尼饰）雇用她，在律师事务所里打工度日。一天
永不妥协 剧照(18张)，埃琳在一堆有关资产和债务的文件中很偶然地发现了一些十分可疑的医药单据，这引起了她的困惑和怀疑。在埃德的支持下，埃琳开始展开调查，并很快找到线索，发现了当地社区隐藏着的重大环境污染事件，一处非法排放的有毒污水正在损害居民的健康，是造成一种致命疾病的根源。[1]可怕的是居民们对此并未察觉，甚至起初对埃琳的结论表示怀疑，但是不久他们就被埃琳的执着和责任感打动了，大家在一个目标下紧紧地团结了起来，埃 琳用自己的行动赢得了全体居民的信任，成了他们的核心和代言人。邻居乔治（阿伦·埃克哈特饰）在整个事件中是埃琳的一名坚定的支持者，他俩的爱情成了支持埃琳的重要精神支柱。埃琳挨家挨户的做动员工作，终于得到了600多个人的签名支持。埃琳和埃德在一家大型法律事务机构的帮助下，终于使污染事件得到了令人满意的赔偿，创造了美国历史上同类民事案件的赔偿金额之最，达3.33亿美元。埃琳正是用自己的无比坚韧的毅力，克服难以想象的困难，向世人证明了一个“弱女子”的价值，在人生的道路上开辟了一片新的天地。

⑷ 谁有永不妥协ErinBrockovich(2000)由朱莉娅·罗伯茨主演的高清百度云免费在线观看链接，求分享

《永不妥协 Erin Brockovich》网络网盘高清资源免费在线观看：

链接: https://pan..com/s/1nA9fQzyeKUIMkpnxem6pHA

埃琳•布罗克维奇（朱莉娅•罗伯茨 Julia Roberts 饰）是倒霉鬼中的典型。她结过两次婚，但每次婚姻都没有给她带来幸福，反而令她成了一个拖着三个孩子的单身母亲。倒霉的她在遭到一场交通事故后，连志在必得的赔偿官司到最后都输掉了。
为她辩护的律师埃德（阿尔伯特•芬尼 Albert Finney 饰）半是同情埃琳半是因为帮她打输了官司心感内疚，收留了埃琳在他的律师楼里打杂。埃琳的生活算是有了一点保障。在调查一单污水申诉案时，埃琳偶然发现了污水中含剧毒物质，而供水公司确对此敷衍了事。弱女子埃琳决定用她柔弱的肩膀担负起为受污染的数百名居民讨回公道的重担！

⑸ 永不妥协（原 名：Erin Brockovich 演 员：茱莉亚罗伯兹）

ERIN BROCKOVICH (2000)
Julia Roberts Captures Our Hearts and the Screen in this Powerful Tale of Personal Triumph.
*G*E*M*

Steven Soderbergh directs Julia Roberts in a mature, powerful, deeply moving performance of Erin Brockovich, a woman who has traded on her sex appeal and stubbornness to disastrous effect until she finds her perfection as a legal assistant championing the cause of a small community ravaged by a polluting instrial titan. We all boo and hiss when corporate corruption, cover-up, and greed knowingly hurt people. The courage of movie heroes and heroines to dig up the truth and stand against the malevolent goliaths tickles our spirits as we glean the awesome power of truth and goodness. Erin Brockovich is a magnificently adapted true story of one woman’s crusade against a corporate behemoth, but that is not what makes this movie the second gem of the year for both of us.
Erin Brokovich offers a powerful vision for how a woman can achieve personal and professional victory by overcoming the external and internal constraints that keep her from integrating the full power of her sexuality, her mouth, her almost obsessive doggedness, her untapped intelligence, and her relationship charisma to cut through to the truth. As the movie opens, Erin begs for work for which she has no training. The highlight of her personal background has been a stint as Miss Wichita. Like many young women who are blinded by the easy triumphs their beauty procures, Erin has invested life’s resources poorly. She has been married and divorced twice and is struggling to raise three kids. Without a man or a job, her prospects seem dim, even to her. She teeters on the brink of disaster.

Erin finds some hope in the form of a wealthy doctor who runs a red light and slams into her car. Erin believes she’s hit a litigation jackpot. Her lawyer, Ed Masry (Albert Finney) tries to tame her mouthy bitchiness in court, but she blows it on the stand and ends up with nothing. She then plays on her lawyer’s guilt about losing the case to leverage a job as a gofer in his office. In many ways, Erin is the white trash employee from hell. She wears garish outfits. She badgers the other employees and Ed with ripping insults. There may be truth in her jibes, but they are so hostile that she becomes more a liability than an asset.

The real opportunity presents itself when Erin is given a routine, pro-bono (meaning the law firm gets no money) real estate purchase case in which a huge utility company (PG&E, Pacific Gas & Electric) is buying out the property of a family living next to one of its desert plants. Erin smells a rat and begins to investigate what turns into a major scandal. PG&E has knowingly mped toxic levels of a deadly form of Chromium into the town’s water. Horrific diseases afflict most families living around the plant, but the people don’t realize PG&E has been the culprit.

The dramatic tension that drives this movie so deeply into the heart is the transformation in Erin. She has always had a tremendous underutilized talent for gaining empathy, especially from the genuinely downtrodden. She also has a superb memory for detail and a powerful instinct for visceral confrontation with the flunkies and fops in the legal profession who try to bury her and the case in paper and bull. Finding a way to nail PG&E gives Erin the perfect opportunity to express her many gifts and benefit herself and others, but to succeed, she must make major changes and sacrifices.

Some of the story elements of Erin’s success seem like a Hollywood fairy tale. Her next-door neighbor is a motorcycle riding construction worker between jobs with the time and the heart to tend her kids while she focuses on her job. Too good to be true perhaps, but then, all stories that have motivated us to broaden our consciousness, to accept more freedom and to achieve greater things than our station, our race, or gender would have allowed, have fairy tale elements. What is so important and moving about the stories like Erin Brockovich is their magical ability to provide an image of how we might overcome the external, and more importantly the internal, shackles that bind us.

The power of the Prince (even in the form of a good looking construction worker) in this movie is not that he brings the magical answer to Erin, but that he tempts her to fall into the role of a kept Princess. At one point he demands more attention and makes the ever so enticing demand that Erin leave the rat race of her legal career behind to be with him and the kids. He calls on the deep longing in a feminine soul to fall back on the intimacy of a man rescuing her, taking care of her and her chicks, soothing her hurt and loneliness, salving her desperation. With great pain, Erin declares her will and pulls back from him to claim her own destiny.

Erin has to make hard choices not just about her romance. As a struggling, single, working woman, she must find a way to be true to the demands of her kids. Even with the convenient Prince as part of the answer, Erin must find the place to love them and still achieve her glory. In a scene of immense pathos, this in many ways irresolvable dilemma finds a resolution. Erin’s son, who has become more and more resentful of his mom’s absence, finds a statement about a badly afflicted child his age. We won’t spoil the details, but what a magnificent way to show a boy suddenly mature with understanding and acceptance of his mother’s hard work.

Erin’s other source of power comes from her ability to adapt her Aphroditic allure, which previously led to her failed dependence on men, into a weapon to cajole and sece to get information. Her boobs, often consciously flaunted by buttoning down her tops to show a lot of cleavage and tan line, lead the way to important concessions and revelations.

A lot of the emotional grip of Erin Brockovich comes from the clever dialog and intriguing story line. The interweaving of the words, the actions, the legal story, and the personal transformation journey are done with exceptional quality by one of our new favorite screenwriters, Susannah Grant. She wrote Ever After, Pocahontas, and the soon to be released 28 Days. Ms. Grant always puts women in roles where their character development is crucial to resolving all of the dramatic dilemmas. Even if her heroines get the man, it is not at the cost of personal integrity. We look forward to many more scripts with this powerful vision for how women can be as much as they are gifted to be, with all their flaws and blessings included.

However, the greatest delight of Erin Brockovich is Julia Roberts. She stunned us with her acumen, maturity, and beauty. We are accustomed to seeing her portray women emerging from confusion or weakness, but never have her tears, her expressions, her sauciness, her body, her face, even her huge smile been more glowing. We are beginning to see the deeper beauty in her performances that comes with maturity. When the history of the cinema of this era is told, we believe that Julia will be a lasting tribute to stories that showed how sexual power can be integrated with personal power to achieve glory for and by women.

We also acknowledge Albert Finney in a fine portrayal of a bemused lawyer who struggles to keep his balance with Erin and the huge case that threatens to bankrupt him when he is almost ready to retire. There is powerful chemistry between Ed and Erin, though it is not overtly sexual. They do not have to do "it" to have significant impact on each other. These two feral scrappers live best by their wits and their clashing. Often in ways neither seems to expect, they draw out the best in each other.

And so, Erin ultimately hits her jackpot when she does the work she is best suited to do with gusto, determination, and sacrifice. What a magnificent cinematic metaphor to give us the vision to be more than we seem, to be all that we can be.

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埃琳•布罗克维奇（朱莉娅•罗伯茨 Julia Roberts 饰）是倒霉鬼中的典型。她结过两次婚，但每次婚姻都没有给她带来幸福，反而令她成了一个拖着三个孩子的单身母亲。倒霉的她在遭到一场交通事故后，连志在必得的赔偿官司到最后都输掉了。

⑺ 急求决不妥协演员表，感激不尽

刘奇刘奇 身高： 1.70m 体重： 47kg 毕业院校： 上海舞蹈学院 语言： 中文 英文口语 特长： 舞蹈、声乐、钢琴 电影： 2001年 《 凶宅幽灵 》饰 萍萍 2002年 《嫁给陌生人》饰 小 玉 电视剧： 2002年 《各就各位》饰 琦 琪 2002年 《谁都会说爱你》饰 燕 山 2002年 《出水芙蓉》饰 苏 蕾 2003年 《爱比恨多一点》饰 简 妮 2004年 《不在犯罪现场》饰 小 越 2005年 《爱我给我一个家》饰 林依兰 2005年 《青城之恋》饰 乌红利 2006年 《决不妥协》饰 小 敏 2006年 《加油晓惠》饰 许晓贤 2007年 《血 戒》饰 沙 红 2007年《航班几点起飞》饰 张 祈 2008年《阳光灿烂周三强》饰 潘莉莉 电视剧：《阳光灿烂周三强》

青年演员刘奇在该剧中出演厂里的厂花潘莉莉，剧中的她能歌善舞，博得厂里很多青年的喜欢；也让周三强（沙溢饰）疯狂的爱上了她，并开始了对她猛烈的追求。潘莉莉虽然是人见人爱的好女孩，但在剧中的遭遇也让观众对她起了怜爱之心，本是有着爱人的她在一次意外后失去了原有的一切；心如死灰的她对周三强的追求也置之不理。但周三强的执着和付出最终感动了她，两人终成眷属，只是好景不长，潘莉莉在怀孕时不幸离去，留下了痛苦的周三强。刘奇对潘莉莉这个人物也是颇多的怜爱，出演该剧后更是有不少的热心观众表示潘莉莉的遭遇让人怜爱，也让人感触最深

⑻ 永不妥协电影

链接:https://pan..com/s/1XvSH-qC4fzyj1G4QPT1Ndw

《永不妥协》是2000年上映的一部美国电影，由史蒂文·索德伯格执导，朱莉娅·罗伯茨、阿尔伯特·芬尼、艾伦·艾克哈特等主演。

该电影改编自真实事件，描述了一个没有法律背景的单身母亲，历尽艰辛，以永不妥协的勇气和毅力打赢了美国有史以来最大的一宗民事赔偿案。

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⑼ 急求电影<永不妥协>剧情,要求一定要全集详细剧情.

《永不妥协》网络网盘高清资源免费在线观看

链接: https://pan..com/s/1C1TaXLIRjg_6nMTq8bXhyA

《永不妥协》是2000年上映的一部美国电影，由史蒂文·索德伯格执导，朱莉娅·罗伯茨、阿尔伯特·芬尼、艾伦·艾克哈特等主演。

该电影改编自真实事件，描述了一个没有法律背景的单身母亲，历尽艰辛，以永不妥协的勇气和毅力打赢了美国有史以来最大的一宗民事赔偿案。

埃琳·布罗克维奇（朱莉娅·罗伯茨饰）是一位经历了两次离婚并拖着三个孩子的单身母亲，在一次交通事故之后，无路可走的埃琳只得到律师埃德·马斯瑞（阿伯特·芬尼饰）处打工度日。一天，埃琳偶然地发现了一些十分可疑的医药单据，在埃德的支持下，埃琳发现当地社区内隐藏着重大环境污染事件，而居民们对此并未察觉，居民们逐渐被埃琳打动，团结起来对抗污染。埃琳也成为了他们的核心人物。邻居乔治（阿伦·埃克哈特饰）在整个事件一直坚定地支持埃琳，在各方的帮助下，终于得到了赔偿，并创造了美国历史上同类民事案件的赔偿金额之最。埃琳用无比坚韧的向世人证明了一个“弱女子”的价值。
在一个英雄匮乏的年代，艾琳-布洛科维奇的故事堪称撼人、奇妙且带有一丝反叛的味道。艾琳(朱丽娅-罗伯茨饰)高中没读完便糊里糊涂辍了学。两度婚姻，连生三子，情场失意之际，事业又遭遇翻船，转瞬又输掉一场志在必得的人身伤害官司，艾琳的人生际遇真可谓灰到极点。出于同情和歉疚，没能替她打赢官司的艾德-马斯利律师(阿尔伯特-费尼饰)请她到自己的小事务所里干点儿文秘的活儿。如果不是一桩看似不起眼的污水申诉案，艾琳的日子极有可能就这般惨淡潦倒下去了。由于怜悯天性的驱使，艾琳来到污水案涉及的沙漠小社区，骇然发现污水里富含剧烈致癌物质，而负责供水的大公司Pacific Gas & Electric对此却敷衍唐塞。回到事务所后，艾琳说服艾德让自己负责收取实证，从此开始了艰巨的调查工作。起初，当地居民对没有任何法学背景的她猜忌重重，但艾琳的率真和诚意日日感化了众人，终使600名原告委托艾德律师事务所全权代理其诉讼请求。凭着人道和坚韧的精神，艾琳和艾德区区两人最后赢得了直接诉案有史以来最高的赔款数额:3.33亿美元。在为官司奔波的过程中，艾琳重新发现了自我，信念亦在个体的新生中发生了巨变。
埃琳·布罗克维奇（朱莉娅·罗伯茨饰）是一位经历了两次离婚并拖着三个孩子的单身母亲，在一次交通事故之后，无路可走的埃琳只得到律师埃德·马斯瑞（阿伯特·芬尼饰）处打工度日。一天，埃琳偶然地发现了一些十分可疑的医药单据，在埃德的支持下，埃琳发现当地社区内隐藏着重大环境污染事件，而居民们对此并未察觉，居民们逐渐被埃琳打动，团结起来对抗污染。埃琳也成为了他们的核心人物。邻居乔治（阿伦·埃克哈特饰）在整个事件一直坚定地支持埃琳，在各方的帮助下，终于得到了赔偿，并创造了美国历史上同类民事案件的赔偿金额之最。埃琳用无比坚韧的向世人证明了一个“弱女子”的价值。

⑽ 求永不妥协演员表,永不妥协女主角永不妥协男主角是谁

个人很喜欢金荷娜和权相宇，但本片前半段故事（老师从弱势转为强势）感觉太长了，但不能否认它的成功，真正看完整部影片得人才能感受那种魅力