電影永不妥協的所有演員

⑴ 求《永不妥協》2000年百度雲資源,朱莉婭·羅伯茨主演的

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作品相關簡介：

埃琳•布羅克維奇（朱莉婭•羅伯茨 Julia Roberts 飾）是倒霉鬼中的典型。她結過兩次婚，但每次婚姻都沒有給她帶來幸福，反而令她成了一個拖著三個孩子的單身母親。倒霉的她在遭到一場交通事故後，連志在必得的賠償官司到最後都輸掉了。
為她辯護的律師埃德（阿爾伯特•芬尼 Albert Finney 飾）半是同情埃琳半是因為幫她打輸了官司心感內疚，收留了埃琳在他的律師樓里打雜。埃琳的生活算是有了一點保障。在調查一單污水申訴案時，埃琳偶然發現了污水中含劇毒物質，而供水公司確對此敷衍了事。弱女子埃琳決定用她柔弱的肩膀擔負起為受污染的數百名居民討回公道的重擔！

⑵ 請問大佬有永不妥協2000年上映的由 朱莉婭·羅伯茨主演的高清視頻在線觀看資源嗎

《永不妥協》網路網盤高清資源免費在線觀看

鏈接: https://pan..com/s/1kdlqxwQZMo2R6nj2b4BMRA

《永不妥協》是2000年上映的一部美國電影，由史蒂文·索德伯格執導，朱莉婭·羅伯茨、阿爾伯特·芬尼、艾倫·艾克哈特等主演。該電影改編自真實事件，描述了一個沒有法律背景的單身母親，歷盡艱辛，以永不妥協的勇氣和毅力打贏了美國有史以來最大的一宗民事賠償案。

⑶ 9幾年的美國電影，著名女影星主演，講一位女性與排污污染環境的公司斗爭，並成功維權，求名字，衷心謝謝！

《永不妥協》
茱莉亞羅伯茨的成名作，根據真實事件改編
埃琳·布羅克維奇（朱莉婭·羅伯茨飾）是一位經歷了兩次離婚並拖著三個孩子的單身母親，在一次十分無奈的交通事故之後，這個一貧如洗，既無工作，也無前途的可憐婦女幾乎到了走投無路的絕境。萬般無奈之下，埃琳只得懇求自己的律師埃德.馬斯瑞（阿伯特·芬尼飾）僱用她，在律師事務所里打工度日。一天
永不妥協 劇照(18張)，埃琳在一堆有關資產和債務的文件中很偶然地發現了一些十分可疑的醫葯單據，這引起了她的困惑和懷疑。在埃德的支持下，埃琳開始展開調查，並很快找到線索，發現了當地社區隱藏著的重大環境污染事件，一處非法排放的有毒污水正在損害居民的健康，是造成一種致命疾病的根源。[1]可怕的是居民們對此並未察覺，甚至起初對埃琳的結論表示懷疑，但是不久他們就被埃琳的執著和責任感打動了，大家在一個目標下緊緊地團結了起來，埃 琳用自己的行動贏得了全體居民的信任，成了他們的核心和代言人。鄰居喬治（阿倫·埃克哈特飾）在整個事件中是埃琳的一名堅定的支持者，他倆的愛情成了支持埃琳的重要精神支柱。埃琳挨家挨戶的做動員工作，終於得到了600多個人的簽名支持。埃琳和埃德在一家大型法律事務機構的幫助下，終於使污染事件得到了令人滿意的賠償，創造了美國歷史上同類民事案件的賠償金額之最，達3.33億美元。埃琳正是用自己的無比堅韌的毅力，克服難以想像的困難，向世人證明了一個「弱女子」的價值，在人生的道路上開辟了一片新的天地。

⑷ 誰有永不妥協ErinBrockovich(2000)由朱莉婭·羅伯茨主演的高清百度雲免費在線觀看鏈接，求分享

《永不妥協 Erin Brockovich》網路網盤高清資源免費在線觀看：

鏈接: https://pan..com/s/1nA9fQzyeKUIMkpnxem6pHA

埃琳•布羅克維奇（朱莉婭•羅伯茨 Julia Roberts 飾）是倒霉鬼中的典型。她結過兩次婚，但每次婚姻都沒有給她帶來幸福，反而令她成了一個拖著三個孩子的單身母親。倒霉的她在遭到一場交通事故後，連志在必得的賠償官司到最後都輸掉了。
為她辯護的律師埃德（阿爾伯特•芬尼 Albert Finney 飾）半是同情埃琳半是因為幫她打輸了官司心感內疚，收留了埃琳在他的律師樓里打雜。埃琳的生活算是有了一點保障。在調查一單污水申訴案時，埃琳偶然發現了污水中含劇毒物質，而供水公司確對此敷衍了事。弱女子埃琳決定用她柔弱的肩膀擔負起為受污染的數百名居民討回公道的重擔！

⑸ 永不妥協（原 名：Erin Brockovich 演 員：茱莉亞羅伯茲）

ERIN BROCKOVICH (2000)
Julia Roberts Captures Our Hearts and the Screen in this Powerful Tale of Personal Triumph.
*G*E*M*

Steven Soderbergh directs Julia Roberts in a mature, powerful, deeply moving performance of Erin Brockovich, a woman who has traded on her sex appeal and stubbornness to disastrous effect until she finds her perfection as a legal assistant championing the cause of a small community ravaged by a polluting instrial titan. We all boo and hiss when corporate corruption, cover-up, and greed knowingly hurt people. The courage of movie heroes and heroines to dig up the truth and stand against the malevolent goliaths tickles our spirits as we glean the awesome power of truth and goodness. Erin Brockovich is a magnificently adapted true story of one woman』s crusade against a corporate behemoth, but that is not what makes this movie the second gem of the year for both of us.
Erin Brokovich offers a powerful vision for how a woman can achieve personal and professional victory by overcoming the external and internal constraints that keep her from integrating the full power of her sexuality, her mouth, her almost obsessive doggedness, her untapped intelligence, and her relationship charisma to cut through to the truth. As the movie opens, Erin begs for work for which she has no training. The highlight of her personal background has been a stint as Miss Wichita. Like many young women who are blinded by the easy triumphs their beauty procures, Erin has invested life』s resources poorly. She has been married and divorced twice and is struggling to raise three kids. Without a man or a job, her prospects seem dim, even to her. She teeters on the brink of disaster.

Erin finds some hope in the form of a wealthy doctor who runs a red light and slams into her car. Erin believes she』s hit a litigation jackpot. Her lawyer, Ed Masry (Albert Finney) tries to tame her mouthy bitchiness in court, but she blows it on the stand and ends up with nothing. She then plays on her lawyer』s guilt about losing the case to leverage a job as a gofer in his office. In many ways, Erin is the white trash employee from hell. She wears garish outfits. She badgers the other employees and Ed with ripping insults. There may be truth in her jibes, but they are so hostile that she becomes more a liability than an asset.

The real opportunity presents itself when Erin is given a routine, pro-bono (meaning the law firm gets no money) real estate purchase case in which a huge utility company (PG&E, Pacific Gas & Electric) is buying out the property of a family living next to one of its desert plants. Erin smells a rat and begins to investigate what turns into a major scandal. PG&E has knowingly mped toxic levels of a deadly form of Chromium into the town』s water. Horrific diseases afflict most families living around the plant, but the people don』t realize PG&E has been the culprit.

The dramatic tension that drives this movie so deeply into the heart is the transformation in Erin. She has always had a tremendous underutilized talent for gaining empathy, especially from the genuinely downtrodden. She also has a superb memory for detail and a powerful instinct for visceral confrontation with the flunkies and fops in the legal profession who try to bury her and the case in paper and bull. Finding a way to nail PG&E gives Erin the perfect opportunity to express her many gifts and benefit herself and others, but to succeed, she must make major changes and sacrifices.

Some of the story elements of Erin』s success seem like a Hollywood fairy tale. Her next-door neighbor is a motorcycle riding construction worker between jobs with the time and the heart to tend her kids while she focuses on her job. Too good to be true perhaps, but then, all stories that have motivated us to broaden our consciousness, to accept more freedom and to achieve greater things than our station, our race, or gender would have allowed, have fairy tale elements. What is so important and moving about the stories like Erin Brockovich is their magical ability to provide an image of how we might overcome the external, and more importantly the internal, shackles that bind us.

The power of the Prince (even in the form of a good looking construction worker) in this movie is not that he brings the magical answer to Erin, but that he tempts her to fall into the role of a kept Princess. At one point he demands more attention and makes the ever so enticing demand that Erin leave the rat race of her legal career behind to be with him and the kids. He calls on the deep longing in a feminine soul to fall back on the intimacy of a man rescuing her, taking care of her and her chicks, soothing her hurt and loneliness, salving her desperation. With great pain, Erin declares her will and pulls back from him to claim her own destiny.

Erin has to make hard choices not just about her romance. As a struggling, single, working woman, she must find a way to be true to the demands of her kids. Even with the convenient Prince as part of the answer, Erin must find the place to love them and still achieve her glory. In a scene of immense pathos, this in many ways irresolvable dilemma finds a resolution. Erin』s son, who has become more and more resentful of his mom』s absence, finds a statement about a badly afflicted child his age. We won』t spoil the details, but what a magnificent way to show a boy suddenly mature with understanding and acceptance of his mother』s hard work.

Erin』s other source of power comes from her ability to adapt her Aphroditic allure, which previously led to her failed dependence on men, into a weapon to cajole and sece to get information. Her boobs, often consciously flaunted by buttoning down her tops to show a lot of cleavage and tan line, lead the way to important concessions and revelations.

A lot of the emotional grip of Erin Brockovich comes from the clever dialog and intriguing story line. The interweaving of the words, the actions, the legal story, and the personal transformation journey are done with exceptional quality by one of our new favorite screenwriters, Susannah Grant. She wrote Ever After, Pocahontas, and the soon to be released 28 Days. Ms. Grant always puts women in roles where their character development is crucial to resolving all of the dramatic dilemmas. Even if her heroines get the man, it is not at the cost of personal integrity. We look forward to many more scripts with this powerful vision for how women can be as much as they are gifted to be, with all their flaws and blessings included.

However, the greatest delight of Erin Brockovich is Julia Roberts. She stunned us with her acumen, maturity, and beauty. We are accustomed to seeing her portray women emerging from confusion or weakness, but never have her tears, her expressions, her sauciness, her body, her face, even her huge smile been more glowing. We are beginning to see the deeper beauty in her performances that comes with maturity. When the history of the cinema of this era is told, we believe that Julia will be a lasting tribute to stories that showed how sexual power can be integrated with personal power to achieve glory for and by women.

We also acknowledge Albert Finney in a fine portrayal of a bemused lawyer who struggles to keep his balance with Erin and the huge case that threatens to bankrupt him when he is almost ready to retire. There is powerful chemistry between Ed and Erin, though it is not overtly sexual. They do not have to do "it" to have significant impact on each other. These two feral scrappers live best by their wits and their clashing. Often in ways neither seems to expect, they draw out the best in each other.

And so, Erin ultimately hits her jackpot when she does the work she is best suited to do with gusto, determination, and sacrifice. What a magnificent cinematic metaphor to give us the vision to be more than we seem, to be all that we can be.

⑹ 求永不妥協2000年免費高清百度雲資源，朱莉婭·羅伯茨主演的

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鏈接: https://pan..com/s/1uXfzIVxa0RltruIx64V_AA

埃琳•布羅克維奇（朱莉婭•羅伯茨 Julia Roberts 飾）是倒霉鬼中的典型。她結過兩次婚，但每次婚姻都沒有給她帶來幸福，反而令她成了一個拖著三個孩子的單身母親。倒霉的她在遭到一場交通事故後，連志在必得的賠償官司到最後都輸掉了。

⑺ 急求決不妥協演員表，感激不盡

劉奇劉奇 身高： 1.70m 體重： 47kg 畢業院校： 上海舞蹈學院 語言： 中文 英文口語 特長： 舞蹈、聲樂、鋼琴 電影： 2001年 《 凶宅幽靈 》飾 萍萍 2002年 《嫁給陌生人》飾 小 玉 電視劇： 2002年 《各就各位》飾 琦 琪 2002年 《誰都會說愛你》飾 燕 山 2002年 《出水芙蓉》飾 蘇 蕾 2003年 《愛比恨多一點》飾 簡 妮 2004年 《不在犯罪現場》飾 小 越 2005年 《愛我給我一個家》飾 林依蘭 2005年 《青城之戀》飾 烏紅利 2006年 《決不妥協》飾 小 敏 2006年 《加油曉惠》飾 許曉賢 2007年 《血 戒》飾 沙 紅 2007年《航班幾點起飛》飾 張 祈 2008年《陽光燦爛周三強》飾 潘莉莉 電視劇：《陽光燦爛周三強》

青年演員劉奇在該劇中出演廠里的廠花潘莉莉，劇中的她能歌善舞，博得廠里很多青年的喜歡；也讓周三強（沙溢飾）瘋狂的愛上了她，並開始了對她猛烈的追求。潘莉莉雖然是人見人愛的好女孩，但在劇中的遭遇也讓觀眾對她起了憐愛之心，本是有著愛人的她在一次意外後失去了原有的一切；心如死灰的她對周三強的追求也置之不理。但周三強的執著和付出最終感動了她，兩人終成眷屬，只是好景不長，潘莉莉在懷孕時不幸離去，留下了痛苦的周三強。劉奇對潘莉莉這個人物也是頗多的憐愛，出演該劇後更是有不少的熱心觀眾表示潘莉莉的遭遇讓人憐愛，也讓人感觸最深

⑻ 永不妥協電影

鏈接:https://pan..com/s/1XvSH-qC4fzyj1G4QPT1Ndw

《永不妥協》是2000年上映的一部美國電影，由史蒂文·索德伯格執導，朱莉婭·羅伯茨、阿爾伯特·芬尼、艾倫·艾克哈特等主演。

該電影改編自真實事件，描述了一個沒有法律背景的單身母親，歷盡艱辛，以永不妥協的勇氣和毅力打贏了美國有史以來最大的一宗民事賠償案。

如果資源不正確，或者版本不正確，歡迎追問

⑼ 急求電影<永不妥協>劇情,要求一定要全集詳細劇情.

《永不妥協》網路網盤高清資源免費在線觀看

鏈接: https://pan..com/s/1C1TaXLIRjg_6nMTq8bXhyA

《永不妥協》是2000年上映的一部美國電影，由史蒂文·索德伯格執導，朱莉婭·羅伯茨、阿爾伯特·芬尼、艾倫·艾克哈特等主演。

該電影改編自真實事件，描述了一個沒有法律背景的單身母親，歷盡艱辛，以永不妥協的勇氣和毅力打贏了美國有史以來最大的一宗民事賠償案。

埃琳·布羅克維奇（朱莉婭·羅伯茨飾）是一位經歷了兩次離婚並拖著三個孩子的單身母親，在一次交通事故之後，無路可走的埃琳只得到律師埃德·馬斯瑞（阿伯特·芬尼飾）處打工度日。一天，埃琳偶然地發現了一些十分可疑的醫葯單據，在埃德的支持下，埃琳發現當地社區內隱藏著重大環境污染事件，而居民們對此並未察覺，居民們逐漸被埃琳打動，團結起來對抗污染。埃琳也成為了他們的核心人物。鄰居喬治（阿倫·埃克哈特飾）在整個事件一直堅定地支持埃琳，在各方的幫助下，終於得到了賠償，並創造了美國歷史上同類民事案件的賠償金額之最。埃琳用無比堅韌的向世人證明了一個「弱女子」的價值。
在一個英雄匱乏的年代，艾琳-布洛科維奇的故事堪稱撼人、奇妙且帶有一絲反叛的味道。艾琳(朱麗婭-羅伯茨飾)高中沒讀完便糊里糊塗輟了學。兩度婚姻，連生三子，情場失意之際，事業又遭遇翻船，轉瞬又輸掉一場志在必得的人身傷害官司，艾琳的人生際遇真可謂灰到極點。出於同情和歉疚，沒能替她打贏官司的艾德-馬斯利律師(阿爾伯特-費尼飾)請她到自己的小事務所里干點兒文秘的活兒。如果不是一樁看似不起眼的污水申訴案，艾琳的日子極有可能就這般慘淡潦倒下去了。由於憐憫天性的驅使，艾琳來到污水案涉及的沙漠小社區，駭然發現污水裡富含劇烈致癌物質，而負責供水的大公司Pacific Gas & Electric對此卻敷衍唐塞。回到事務所後，艾琳說服艾德讓自己負責收取實證，從此開始了艱巨的調查工作。起初，當地居民對沒有任何法學背景的她猜忌重重，但艾琳的率真和誠意日日感化了眾人，終使600名原告委託艾德律師事務所全權代理其訴訟請求。憑著人道和堅韌的精神，艾琳和艾德區區兩人最後贏得了直接訴案有史以來最高的賠款數額:3.33億美元。在為官司奔波的過程中，艾琳重新發現了自我，信念亦在個體的新生中發生了巨變。
埃琳·布羅克維奇（朱莉婭·羅伯茨飾）是一位經歷了兩次離婚並拖著三個孩子的單身母親，在一次交通事故之後，無路可走的埃琳只得到律師埃德·馬斯瑞（阿伯特·芬尼飾）處打工度日。一天，埃琳偶然地發現了一些十分可疑的醫葯單據，在埃德的支持下，埃琳發現當地社區內隱藏著重大環境污染事件，而居民們對此並未察覺，居民們逐漸被埃琳打動，團結起來對抗污染。埃琳也成為了他們的核心人物。鄰居喬治（阿倫·埃克哈特飾）在整個事件一直堅定地支持埃琳，在各方的幫助下，終於得到了賠償，並創造了美國歷史上同類民事案件的賠償金額之最。埃琳用無比堅韌的向世人證明了一個「弱女子」的價值。

⑽ 求永不妥協演員表,永不妥協女主角永不妥協男主角是誰

個人很喜歡金荷娜和權相宇，但本片前半段故事（老師從弱勢轉為強勢）感覺太長了，但不能否認它的成功，真正看完整部影片得人才能感受那種魅力